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A GENTLEMAN'S GUIDE TO EVENING WEAR (SECOND EDITION) |
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Contemporary Black-Tie Waist
WaistcoatsCutThe classic evening waistcoat is a rare find these days as it has been virtually replaced by models that are cut higher, lack lapels and are exclusively single-breasted. In other words, the new formal waistcoat is essentially just a shiny version of a regular suit vest. Formal waistcoats are meant to cover as little of the shirt front as possible and consequently they should barely extend beyond the dinner jacket’s lapels. Not only does this expose the maximum amount of decorated shirt bosom but it also preserves the physique-enhancing deep V created by the contrast of white shirt against the closed black jacket. In this regard, the height of a suit-style vest is inappropriate for a single-button jacket. However such a vest can be used to improve the formality of a two-button dinner jacket the same way a regular vest adds authority to a two-piece business suit. Just be sure it is cut to a medium height so as not to interfere with the jacket’s V opening. Modern waistcoats are constructed in the full-back style, depriving the wearer of the comfort of a backless model. Young men will use this deficiency as an excuse to strip off their jackets at the first possible opportunity, often thinking that the silk backing qualifies their vest as a stylish substitute for their jacket. It doesn’t. Waistcoats with more than four buttons should have the bottom button undone, just as regular suit vests are normally worn. FabricModern waistcoat separates are usually finished entirely in satin or, less commonly, grosgrain and should match the finish of the accompanying dinner jacket’s lapels. Cashmere or velvet is also an appropriately luxurious choice. If buying a separate waistcoat constructed of wool keep in mind that the fabric will not be identical to the wool of your tuxedo and might appear mismatched. Color and PatternColored and patterned vests offer much more latitude in choice of fabric as they are obviously not intended to match the dinner suit’s materials. However, these variations can be a slippery slope to sophomoric prom wear so be sure to consult the Contemporary Alternatives page before heading in this direction. CummerbundsThe clownish 1980s practice of matching brightly colored cummerbunds with identical bow ties may largely explain why the formal sash has significantly declined in popularity in recent years. It has also been facing increasing competition from the vogue for finished waistbands on formal trousers. Regardless, it remains a perfectly stylish and correct accessory providing that any modern trends in color or pattern stick to the guidelines found in Contemporary Alternatives. Exposed WaistToday many men are choosing trousers with a satin finished waistband in lieu of either type of traditional waist covering. Despite the fact that an exposed waistband is still regarded by many as a formal faux pas, this option was given a significant boost in credibility in 2006 when Daniel Craig flashed it on the poster for the hugely popular James Bond film Casino Royale. However, those men intent on imitating Mr. Craig’s edgy appearance at their next black-tie gala should make sure to separate fact from fiction:
Finally, would-be imitators should also keep in mind that traditional formal shirts will not work with this look as their stud holes do not extend all the way down to the waist. Consequently, the working button intended to be hidden behind a cummerbund or waistcoat will instead be very much exposed. |
The lower cut and dull finish of this waistcoat makes it a more understated option than the satin model above.
The exposed waistband may look hip in the poster for the 2006 Bond thriller Casino Royale . . .
. . . but the reality is quite different for men without Daniel Craig's physique (or his wherewithal to choose a buttonless shirt). |
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UPDATES · GLOSSARY · SEARCH · ADVERTISE · DONATE · BLOG · CONTACT COMPARATIVE ENGLISH TERMINOLOGY Picture credits: Hover over images / check picture properties for image source. Text and original images copyright © 2008, 2011. Peter Marshall. All rights reserved.
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