Formal Facts: "Dress",
"Half Dress" & "Undress"
In Victorian times, elegant
men concerned with the propriety of their appearance could
easily change up to four times a day.
Starting with
a dressing gown and slippers, which were part of a category
called "undress," to morning dress, which comprised various
styles that were mandated for different times of day and
occasions and constituted "half dress," they could then change
for dinner, a ball or court, which were not all alike but were
considered "full dress."
(from Kent State
University Museum exhibit "Of Men and Their Elegance") |
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Late Edwardian Formal Attire

For an extremely detailed description of evening wear circa
World War I see this 1913 Dress and Vanity Fair
article available online from oldmagazinearticles.com. |
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Formal Facts:
"Black Tie" Etymology

The Unabridged Oxford English Dictionary traces
the origin of the term "black tie" to 1932. However,
The
Black Tie Guide has tracked its first printed appearance six
years further back to a
1926 British publication titled The Book of Etiquette. |
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Vintage Black-Tie Etiquette & Tradition
Up
until World War II, fashion magazines and etiquette books published
very specific descriptions of what type of attire was correct in
what circumstance. On their own these sources provide interesting
insight but they should be viewed in a larger context for an
accurate picture of historical trends.
Firstly, since each author is influenced by his or her bias,
consciously or otherwise, it is best to examine an era’s sources as
a group to discern common themes.
The following charts are the results of just such a review.
Secondly, keep in mind that these sources were intended to inform
readers of what was proper, not necessarily what was popular. For a
more accurate picture of what black-tie dressers were actually
wearing during a given time period see the History section which
ascertains these trends from sources such as fashion pictorials,
clothing ads and etiquette authorities’ specific admonishments.
Edwardian Era (1900s, ‘10s): "Informal Evening Wear"
Attire
| Jacket |
black or oxford
gray
single-breasted
peak lapel or shawl
collar with silk facing in satin
|
|
Trousers |
color and material
to match jacket
with or without
braid along seams
|
|
Waist Covering |
waistcoat to match
coat or of fancy black or gray silk, low cut with plain or
fancy buttons
generally
single-breasted and U-shaped
|
|
Shirt |
stiff white plain
front; soft pleated front becoming popular
stiff detachable
wing or folded collar (or poke collar, based on period
illustrations)
holes for one or two studs (based on period
illustrations) |
|
Neckwear |
black silk self-tie
bow tie
gray silk to match
waistcoat is an alternative
small, straight-end shape most popular (based on
period illustrations) |
|
Footwear |
hose:
black silk or
lisle; plain, self or white clocks
shoes:
black patent
leather or calfskin button or lace-up shoes, black patent or
gunmetal leather pumps
|
|
Outerwear |
overcoat: dark
color dress coat such as Chesterfield, Inverness,
frock coat, raglan
hat: no consensus
other than black color; some authorities forbade silk high
hats (i.e. top hats and opera hats) with short dinner jackets
while others recommended only that style of hat; still
others allowed a vast range of options from high hat to
“Tuxedo” hat to derby to fedora
gloves: generally,
gray suede or white deerskin
|
|
Jewelry |
gold or
semi-precious stone studs and cufflinks
inconspicuous
pocket watch fob
|
|
Accessories |
(boutonnieres and
handkerchiefs are not mentioned) |
|
Warm-Weather Black
Tie |
Good Form for All Occasions
says many men substitute white “belt” (i.e.
cummerbund or sash)
for waistcoat, white duck trousers for the usual black ones,
and soft white shirts or those with narrow pleats for the
regulation stiff-bosomed shirt |
Occasion
| General |
dinner jacket
is meant only
for dinners where women are not present as it
is not an appropriate counterpart to their
formal evening dresses; examples are stags, clubs, home
dinners, informal dinners (a
1921 book defines “informal
dinner” as dinners without guests, or in the company of one
or two intimates)
informal excursions
to theater also allowed (but not theater parties)
can substitute for
full dress in summer (Book
of Good Manners, Good Form for All Occasions)
|
sources: March 31, 1900
Harper’s Bazar “Spring and Summer Fashions for Men”; Feb 1902
Fashion magazine dress chart, The Book of Good Manners:
Etiquette for All Occasions (1901 copyright, reprinted 1912);
Dictionary of Men's Wear (1908); 1908 The Man's Book
[aka Fairchild's Magazine] dress chart; 1909
Fairchild's Magazine [aka Man's Book: A Magazine]; Nov
1912 Sartorial Arts Journal; The Etiquette of To-day
(1913); December 1913 Dress and Vanity Fair “The Well
Dressed Man”; Good Form for All Occasions (1914),
Marion Harland’s Complete Etiquette (1914). See
Bibliography for
publisher and author information for most sources.
Jazz Age (1920s): "Informal Evening Wear"
Attire
| Jacket |
black worsted is
norm, midnight blue is acceptable
single-breasted
model is the standard, double-breasted becoming accepted for
informal occasions
peak lapel or shawl
collar with silk facing in satin
|
|
Trousers |
color and material
to match jacket
single braid along
seams
|
|
Waist Covering |
black or white
evening waistcoat (latter is most formal)
black in silk to
match facings or cloth to match jacket, white in piqué or
other washable linen
single- or
double-breasted
low cut, U- or
V-shaped
|
|
Shirt |
stiff white plain
front with single cuffs or, according to some sources,
softer pleated front in summer
stiff detachable
wing or upright collar
holes for two or
three studs
|
|
Neckwear |
butterfly or bat
wing bow tie
black “silk or
satin”
|
|
Footwear |
black silk hose
black patent
leather “ties” or pumps
|
|
Outerwear |
overcoat: any dark
blue or black dress coat such as
Chesterfield, Inverness,
cape coat, frock coat
hat: generally top
hat, black Homburg; straw hat allowable in summer
gloves: white
buckskin
|
|
Jewelry |
pearl,
mother-of-pearl or jeweled studs and matching cufflinks
|
|
Accessories |
(boutonnieres and
handkerchiefs are not mentioned) |
|
Warm-Weather Black Tie |
see "Shirt" and "Outerwear" above |
Occasion
|
General
|
"informal"
dinner jacket (versus "full dress") is only permissible for
dinner when dining at home without guests, or in the company
of one or two intimates; allowed when attending opera with a
man friend (Encyclopedia
of Etiquette)
the tuxedo
coat and waistcoat are worn at all informal affairs when no
women are present such as small theatre parties (when not
occupying a box), bowling and card parties and the like (Book
of Good Manners)
the
dinner jacket is worn
every evening and nearly everywhere, whereas the tail coat
is necessary only at balls, formal dinners, and in a box at
the opera. (Emily Post 1922)
Black Tie can be worn at "informal
evening affairs" (as opposed to "weddings, balls, formal
dinners, theatre parties and
receptions") (Men's Wear
1925 and 1926 dress charts) |
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Public
Entertainments (Theater, Opera,
etc.)
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theater: in New
York the
dinner coat is worn
because full dress is not correct unless going
to a ball afterwards (Emily Post 1922)
• White Tie required for
theater party (Men’s Wear chart 1925)
balls and
opera still White Tie (Emily Post 1922)
in summer
there is no occasion for full dress for fashionable New
Yorker because no opera, formal dinners or balls are given
between May and November since even the ultra formal
Newport resort gave up the practice in recent years.
(Emily Post 1922)
|
|
Private
Entertainments (Debuts, Proms, etc.) |
formal dinners
(and receptions) still called for White Tie (Post 1922,
Men’s Wear 1925) |
|
Shipboard |
dark sack
suits on ordinary steamers, dinner
jackets in
de luxe steamer
restaurant (Emily Post 1922)
full dress is
gauche “No gentleman wears a tail-coat on shipboard under
any circumstances whatsoever.” (Emily Post 1922)
it is almost
an edict that a dinner coat be worn every evening of the
voyage except the first and last. Even on the smaller liners
many prefer it (Ocean
Record: A Pocket Handbook for Travelers )
without a dinner
jacket
you can’t dine other than first or last night, or
socialize after 8 o’clock (The Frantic Atlantic )
|
sources: Book of
Etiquette Vol 2
(1921); Encyclopaedia of
Etiquette (1921);
The Book
of Good Manners: A Guide to Polite Usage for All Social Functions
(1922); Etiquette in Society, in Business, in Politics and at Home (1922);
Vogue's Book of Etiquette
(1925); The New Book of
Etiquette (1924);
Ocean
Record: A Pocket Handbook for Travelers (1925); Mar 11, 1925
Men's Wear dress chart;
Mar 24 and Apr 7, 1926
Men's
Wear dress charts;
The
Frantic Atlantic (1927); Aug 22, 1928 Men's Wear
dress chart. See
Bibliography
for
publisher and author information for most sources.
Depression Era (1930s): "Semi-Formal Evening Wear"
Attire
| Jacket |
black or midnight
blue finished or unfinished worsted
single-breasted
model is the standard, double-breasted acceptable for
informal occasions such as resorts or country clubs
peak lapel or shawl
collar with silk facing in satin or grosgrain
|
|
Trousers |
color and material
to match jacket
single braid along
seams
|
|
Waist Covering |
black or white
evening waistcoat (latter is most formal)
black in silk to
match facings or cloth to match jacket, white in piqué or
other washable linen
single- or
double-breasted
black cummerbund is
an informal substitute for a waistcoat, often recommended
for double-breasted dinner jackets
(!)
|
|
Shirt |
stiff bosom of
white piqué or plain linen, single cuffs
softer pleated
bosom is informal alternative
detachable wing
collar is most formal
attached turndown
collar for stags or with informal double-breasted dinner
jacket
note: etiquette experts did not associate
specific shirt fronts with specific collars but
sartorialists specified that turndown collar and pleats were
definitely informal; wing collar was still by far the most
recommended
holes for two or
three studs (info taken from jewelry specs)
|
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Neckwear |
narrow butterfly or
bat wing bow tie with straight ends or pointed ends
plain black silk or
to match lapels
|
|
Footwear |
black silk or lisle
socks plain or with white clocks; black wool is acceptable
alternate
black patent
leather “ties” or pumps
|
|
Outerwear |
overcoat: black
single-breasted fly front topcoat with or without silk faced
lapels
hat: black
collapsible opera hat or black Homburg
gloves: white
buckskin
|
|
Jewelry |
black enamel, plain
gold, mother of pearl or semi-precious stone studs and
matching cufflinks
pocket watch
|
|
Accessories |
white flower is
most conservative, dark red carnation is acceptable
white linen
handkerchiefs
|
|
Warm-Weather Black
Tie |
generally
single-breasted shawl collar white dinner jacket or
double-breasted white, black or midnight blue dinner jacket
black or white
cummerbund or waistcoat; other colors also acceptable
black or midnight
blue trousers with single braid
soft front shirt
with turndown collar
socks may have
colored clocks
outerwear is straw
boater or Panama hat
all other details
as per standard semi-formal wear
|
|
Warm-Weather Black
Tie: Mess Jacket |
white mess jacket
white waistcoat or
(black) cummerbund
all other details
as per Warm Weather Black Tie
note: this option is only listed by Emily
Post but is included in this chart because of the mess
jacket's widespread
acceptance
|
Occasion
| General |
Emily
Post 1937:
same general rules as
1922 plus: a young man “can easily do without a tail coat
for the dinner coat with a white waistcoat takes the place
of full evening dress almost everywhere.”
Also, “never in daylight hours” except when heading
out to an evening party
a
woman's evening attire is determined by whether or not her
male consort is wearing evening clothes
(Emily Post
1937)
tuxedo is for
restaurant and
theater wear, dining at home and all informal evening
occasions requiring more than ordinary street clothes (New
Book of Etiquette ) |
|
Public
Entertainments
(Theater, Opera,
etc.)
|
theater: “At
the highest-type evening performance in New York, especially
when the play has not been on very long, a lady wears a
semi-evening dress, a gentleman a 'tuxedo'.
Full dress is always worn at smart theaters in
London but is seldom worn in New York except by
those who are going to a party later."
(Emily Post 1937)
opera:
White Tie (Emily Post 1937, New Book of Etiquette)
|
|
Private
Entertainments (Debuts, Proms, etc.) |
White Tie for
ceremonious dinners or balls and all highly formal evening
occasions (New Book of Etiquette) |
|
Shipboard |
dinner jackets
required every night on transatlantic crossing except for
first and last night when clothes were packed (unless ship
left in the morning in which case there was no excuse not to
wear on first night) (Esquire Jun 1934)
Emily Post 1937: same rules as
1922 for shipboard dress |
sources: Aug 20, 1930
Men's Wear dress chart;
1931 Book of Etiquette
(1931; British); New Book of
Etiquette (Vol 1) (1931, copyright 1924); Fall 1932
Apparel Arts dress chart;
Christmas 1932 Apparel Arts
"Re Evening Dress"; Spring and Fall 1933 Apparel Arts
dress charts
(v2 #3); Winter 1934-35
Apparel Arts “Illustrated
dress chart of winter resort fashions for the south”;
New Book of Etiquette:
Completely Revised Ed. (1936, copyright 1934); The New Etiquette
(1937); Etiquette, the Blue Book of Social Usage
(1937); Jan 1940
Esquire "Background for a Red Carnation"; Aug 1940
Esquire "Our own night
school"; Jun 1940 Esquire
“Wedding Wearables”; Nov 1940
Esquire "Black + White = Evening Dress";
Book of Etiquette (1942; included in Depression Era category because it was likely written by 1941). See
Bibliography
for
publisher and author information for most sources.
War & Post-War ('40s,
early '50s): "Semi-Formal Evening Wear"
Attire
| Jacket |
black or midnight
blue finished or unfinished worsted
single-breasted or
double-breasted
peak lapel or shawl
collar with silk facing in satin or grosgrain
|
| Trousers |
• color and material to match jacket
single braid along
seams
|
| Waist Covering (specified for single-breasted jacket
only) |
black or midnight
blue evening waistcoat, white also acceptable especially for
more formal occasions but increasingly rare; black or midnight blue in silk to
match facings or cloth to match jacket; white in piqué or
other washable linen
waistcoat can be
single- or double-breasted
note: cummerbund recommended only with warm-weather Black
Tie
|
| Shirt |
stiff-front or
softer plain or pleated front
detachable wing
collar or attached turndown collar
holes for two or
three studs
note: many sources did not specify which
fronts should be matched with which collars however the soft
fronts with turndown collar were the most popular option
during this time
|
| Neckwear |
plain black or
midnight blue bow tie
satin or dull silk
|
| Footwear |
black silk, lisle
wool or nylon socks in plain, ribbed or clocked design; dark
blue acceptable with midnight blue trousers
black patent leather
low evening shoes or pumps
|
| Outerwear |
overcoat: single-
or double-breasted black, oxford gray, or dark blue
hat: collapsible
opera hat, black or midnight blue Homburg
gloves: generally
gray or white buckskin
note: Emily Post indicated gloves were
not to be worn with dinner jackets and many other
authorities don’t provide any information on the topic
|
| Jewelry |
studs and cufflinks
of mother of pearl, enamel, gold, onyx or colored stone
dressy wrist or
pocket watch
key chain
|
| Accessories |
white or red
carnations are most popular boutonnieres
white linen
handkerchiefs
|
| Warm-Weather Black
Tie |
white single- or
double-breasted dinner jacket
black, midnight
blue or maroon cummerbund
black or midnight
blue trousers with single braid
soft front shirt
with turndown collar; button-down is also allowed
bow tie may be
maroon especially with matching cummerbund
outerwear is straw
boater or Panama hat (if any)
all other details
as per standard semi-formal wear
|
| Warm-Weather Black
Tie: Mess Jacket |
white linen mess
jacket
all other details
as per Warm Weather Black Tie
note: only a minority of experts still
refer to this option and one of them (Amy Vanderbilt) says
it is considered “theatrical”
|
|
Country Summer |
at
a formal dinner in
the country or at a country club dance during the summer
white dinner jacket may be worn in summer; white flannels with dark
blue or gray jacket also correct with white, brown & white
or black & white sport shoes (Book
of Etiquette)
dinner
jackets as for town
when weather is not too hot OR coats of white linen or light
serge, also white, with the usual black evening trousers OR
white linen suits OR for dances many younger men wear white
flannel trousers with stiff shirt and collar and black dinner jacket
(Vogue’s Book of Etiquette)
|
Occasion
| General / Dining |
tuxedo is worn at the
theatre, at most dinners, at informal dances and in
restaurants where "dress" is required.
In general, worn on all semi-formal occasions which
do not call for white tie and tails (Book
of Etiquette )
Emily Post 1945:
same
general
rules as
1937
list of
appropriate places no longer refers to dining at home;
author
groups informal
parties and “most dinners” into every evening party that is
not ceremoniously formal; defines semi-formal in context of
what a community considers formal
never before
six or in broad daylight unless it can’t be helped (Amy
Vanderbilt 1952) |
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Public
Entertainments
(Theater, Opera,
etc.)
|
• theater: Black Tie is worn at the theatre (Book
of Etiquette )
Emily Post
1945:
elaborates on
1937
edition’s
description
of
“highest-type evening performance in New York":
“during the opening weeks and at the evening performance in
New York of a play or musical comedy presenting stars of the
highest rank"
a lady sitting “down
front” in the orchestra wears a semi-evening dress, a
gentleman a tuxedo
White ties and tails and low-cut
evening dress are never worn at the theatre except by those
who are going on to a party later.
Whether or not people are going on elsewhere later
naturally affects their choice of dress .
“The present trend of fashion
leans, however, very decidedly toward ordinary day clothes
for both men and women especially when the play has been
running for several months.”
during opening
week people in best seats usually wear tuxedos otherwise it
is ordinary day clothes in most communities (Emily Post
1955)
opera: White Tie in orchestra seats and in boxes on first two levels,
dark suits and Black Tie in sections above first balcony
(Emily Post 1945)
"except on
opening night – or in New York on fashionable
Monday night – full dress is the exception rather than the
rule.”
Dinner
jackets are worn in the boxes, “Dinner jackets and even dark
blue or Oxford gray suits are seen in the orchestra.”
“As in the theatre, the balcony is a
'don’t dress'
section unless a couple is going on to some other function
where evening dress is expected.” (Amy Vanderbilt 1952)
White Tie for
opera (Book of Etiquette)
dinner jacket
has pretty much replaced White Tie in the most expensive
seats (i.e. boxes) even on Monday nights even though author
says White Tie is still required.
Dark suits are replacing dinner jackets in other
sections (Emily Post 1955)
Public
Dinners: "It is quite common for the men to appear in dinner
jackets and lately, alas, even in dark suits, unless they
are seated on the dais, which still calls for White Tie and
tails.
Invitations to such public dinner now often read ‘White or
Black Tie’ for without that choice being offered many would
refuse to come”. (Amy Vanderbilt 1952) |
| Private
Entertainments (Debuts, Proms, etc.) |
White Tie for
ball (Book of Etiquette)
|
| Shipboard |
on the great
transatlantic liners dinner jackets are the general, though
not obligatory rule in the evening.
On ships where a Captain’s or Gala Dinner is given,
formality is expected with men wearing dinner jackets
(unless the special night is a costume affair)
(Amy Vanderbilt 1952)
cruises: “Dinner clothes are not essential but the majority
of people wear them.
For men a white dinner jacket is customary on
tropical cruises but an ordinary dinner jacket is also
acceptable, and by some even preferred.” (Amy Vanderbilt
1952)
Emily Post 1945: eliminates
reference to men’s dress on shipboard
|
sources: Mar and May 1942
Esquire dress charts;
Etiquette, the Blue Book of Social Usage (1945 and 1955);
Standard Book of Etiquette
(1948); Vogue's Book of
Etiquette (1948); Jun 1948
Esquire wedding dress charts; Mar 1952
Esquire dress chart;
Complete Book of Etiquette: The Guide to Gracious Living (1952);
Oct 1953 Esquire dress
chart; Oct 1955 Esquire
dress chart. See
Bibliography
for
publisher and author information for most sources.
|

1906 fashion plate.

1913 eveningwear variations from a review of formalwear etiquette in Vanity
Fair.

1912 informal and formal evening dress, both with
stiff "poke" collars (aka "imperial" collars).

These 1915 Hart Schaffner & Marx evening
suits sold for $35.

Early double-breasted dinner jacket for summer wear, from Vanity Fair
June 1922.

Roberts-Wicks Co. ad in
February 1928 issue of Vanity Fair.

1923 Junior Prom University of Maryland

1926 anniversary dinner

On Cunard's RMS Berengaria circa 1920s

"Dress Ethics" chart from a 1925 men's wear
magazine.

Hollywood Black Tie: Clark Gable, 1932.

1935 trouser zipper ad
depicting the haut monde summering in Newport.
(Zippers had only recently replaced hook fasteners.)

The mess jacket could be worn with a full-dress
white waistcoat or a black cummerbund.

English formal and semi-formal evening dress
circa 1931.

Dining aboard the White Star liner
"Homeric", 1931.

Actress Gloria Swanson with white-tie date at
the theater, 1932.

Dancing at Palm Beach's exclusive Colony Club in 1940.

1949 Arrow formal shirts.

By 1955 the tuxedo was considered "formal" by
many.

Suggested method for laying out evening wear from
a 1948 etiquette book.

1950 tuxedo ad with singer
Tony Martin in classic fifties Black Tie.

Modern styling from a 1954 issue of
Esquire.

The "diamond horseshoe" at New
York City's Metropolitan Opera circa 1940.

1947 beer ad depicting
a summer house party.

Photograph from a 1952 Esquire article about trendy
midnight dinner parties.

Prom dates in 1952 soft drink ad.

A 1958 prom.
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